At the beginning of every apocalyptic thriller there’s always a scene where the hero is getting ready for work, feeding the kids breakfast, dealing with a dog that has barfed in the living room, and generally dealing with the million minor stresses of every day life.
Meanwhile, on the TV or radio in the background the news is cycling through the usual mundanities of petty crime and traffic and local weather, except thrown into the mix there are always a handful of Easter eggs: warnings of nuclear sabre-rattling by jumped-up third-world dictators; quirky reports of bizarre weather patterns in Europe; a fun little hit about a couple from the midwest who swore they saw an alien spacecraft collecting samples in a field behind their house.
These scenes play a key role in setting up the narrative, in three ways. First, they establish the family ties that will provide the emotional basis for the film.… Continue reading